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Introduction to Sound Design for Moving Images

  • DESIGN
  • Jan 02, 2025
SynopsisIntroduction to Sound Design for Moving Images, available at...
Introduction to Sound Design for Moving Images  No.1

Introduction to Sound Design for Moving Images, available at Free, has an average rating of 3.35, with 39 lectures, based on 11 reviews, and has 1850 subscribers.

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You will learn about Elements of the Soundtrack Audio Recording and Postproduction Workflows Creative Sound Composition Principles Psychoacoustics and Perceptual Organization This course is ideal for individuals who are Beginners new to sound design or wanting to explore the creation of soundtracks for film and video. It is particularly useful for Beginners new to sound design or wanting to explore the creation of soundtracks for film and video.

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Summary

Title: Introduction to Sound Design for Moving Images

Price: Free

Average Rating: 3.35

Number of Lectures: 39

Number of Published Lectures: 39

Number of Curriculum Items: 39

Number of Published Curriculum Objects: 39

Original Price: Free

Quality Status: approved

Status: Live

What You Will Learn

  • Elements of the Soundtrack
  • Audio Recording and Postproduction Workflows
  • Creative Sound Composition Principles
  • Psychoacoustics and Perceptual Organization
  • Who Should Attend

  • Beginners new to sound design or wanting to explore the creation of soundtracks for film and video.
  • Target Audiences

  • Beginners new to sound design or wanting to explore the creation of soundtracks for film and video.
  • This course offers a comprehensive introduction to theories and practices of sound design, with a focus on moving images— that is, soundtracks for film and video. This is not a software how-to course, where you learn some specific application, though Audacity and Reaper are the recommended tools.

    The course starts out with a consolidation of the historical background of sound design and how it has evolved over the decades since its emergence in the 1970s. Topics include acoustics and psychoacoustics, audio effects, sound spatialization and perception, soundscape composition, electronic music production, field and studio recording, digital audio basics, creating complex mixes and managing mix stems, Foley, film aesthetics, compositional concepts, sound and emotion, and audiovisual aesthetics in general.

    As such, it provides a thorough Introduction to theory and practice of sound design, with a focus on sound’s relationship to moving images. Beyond sound as a medium (music and audio art), it explores the plasticity of sound and its relationship to other media. Students will develop their skills and aesthetic sensibilities while gaining a conceptual and historical understanding of the role of sound as a media.

    The overall goal of the course is to give students the tools and skills to develop their own sound design projects; whether it is a pure sonic project, a sound track for video or sound design for an interactive media.

    Course Curriculum

    Chapter 1: Preliminaries

    Lecture 1: My Other Free Courses on Udemy

    Lecture 2: About the Instructor

    Lecture 3: How This Course Works

    Lecture 4: A Comprehensive Content Guide to Sound & Design

    Lecture 5: Recommended Software

    Chapter 2: Articles

    Lecture 1: So What is Sound Design?

    Lecture 2: So What Is Sound?

    Lecture 3: Psychoacoustics Part 1: An Introduction

    Lecture 4: Psychoacoustics Part 2: Ear Anatomy, Transduction, Critical Bands, Masking

    Lecture 5: Auditory Localization

    Lecture 6: Auditory Scene Analysis: An Overview

    Lecture 7: Auditory Streaming Effects in Synthesizer Patch Design

    Lecture 8: Key Concepts in Sound Design for Film & Video Games

    Lecture 9: Sound and Emotion Summary

    Lecture 10: Understanding Digital Audio Signals: a beginner’s intro

    Lecture 11: Recording Audio

    Lecture 12: Soundscape

    Lecture 13: Soundscape Recording and Composing

    Lecture 14: Soundscape Listening

    Lecture 15: More Soundscape Listening Examples

    Lecture 16: Microphone Details and Stereo Recording Reference

    Lecture 17: Introduction to Mixing

    Lecture 18: Some Listening and Viewing

    Lecture 19: Contrast as a Compositional Principle in Sound Design

    Lecture 20: Soundtrack Mix Stems: a Deeper Dive

    Lecture 21: Foley Objects in Films: a list

    Lecture 22: Audiovisual Aesthetics | A View from 10,000 Feet (or so) Part 1

    Lecture 23: Audiovisual Aesthetics | A View from 10,000 Feet (or so) Part 2

    Lecture 24: Understanding Audio Filters

    Lecture 25: Foley Objects in Films

    Lecture 26: Electronic Music & Sound Design: Technological Origins & Aesthetic Trajectories

    Lecture 27: Sonic Movement | Texture and Gesture

    Lecture 28: The Cinesonika Film Festival | Examples

    Lecture 29: Tools, Wires & Sound

    Lecture 30: Wolves at the Table (case study video)

    Chapter 3: Sound Design Beyond Film & Video

    Lecture 1: Beyond Film and Video: Module Transition

    Lecture 2: Cinematic Game Sound

    Lecture 3: Sonic Interfaces

    Lecture 4: Auditory Display and Sonification

    Instructors

  • Introduction to Sound Design for Moving Images  No.2
    Michael Filimowicz
    Award Winning AI Artist: electronic music and digital art
  • Rating Distribution

  • 1 stars: 3 votes
  • 2 stars: 0 votes
  • 3 stars: 1 votes
  • 4 stars: 5 votes
  • 5 stars: 2 votes
  • Frequently Asked Questions

    How long do I have access to the course materials?

    You can view and review the lecture materials indefinitely, like an on-demand channel.

    Can I take my courses with me wherever I go?

    Definitely! If you have an internet connection, courses on Udemy are available on any device at any time. If you don’t have an internet connection, some instructors also let their students download course lectures. That’s up to the instructor though, so make sure you get on their good side!