Videogame Prop Modeling- From Beginner to Advanced_1

Videogame Prop Modeling: From Beginner to Advanced, available at $64.99, has an average rating of 4.95, with 69 lectures, based on 62 reviews, and has 314 subscribers.

You will learn about Students will learn how to model and texture a high-quality, game-ready 3D asset from scratch Low-poly and high-poly modeling techniques Efficient UV unwrapping within 3DS Max Baking seamless texture maps within Substance Painter Realistic texture creation with PBR materials within Substance Painter Time-saving techniques to make the creation process more efficient This course is ideal for individuals who are Beginner 3D artists It is particularly useful for Beginner 3D artists.

Enroll now: Videogame Prop Modeling: From Beginner to Advanced

Summary

Title: Videogame Prop Modeling: From Beginner to Advanced

Price: $64.99

Average Rating: 4.95

Number of Lectures: 69

Number of Published Lectures: 69

Number of Curriculum Items: 69

Number of Published Curriculum Objects: 69

Original Price: $39.99

Quality Status: approved

Status: Live

What You Will Learn

Students will learn how to model and texture a high-quality, game-ready 3D asset from scratch

Low-poly and high-poly modeling techniques

Efficient UV unwrapping within 3DS Max

Baking seamless texture maps within Substance Painter

Realistic texture creation with PBR materials within Substance Painter

Time-saving techniques to make the creation process more efficient

Who Should Attend

Beginner 3D artists

Target Audiences

Beginner 3D artists

– In this course, students will become familiar with all of the fundamentals used to create high-quality videogame props.

– All aspects of the creation process will be covered, everything from creating the low-poly model all the way to rendering a final image.

– Specifically, we will be covering the following processes in depth:

     – Creating the low-poly model using reference images within 3DS Max

     – Creating the high-poly model using 3DS Max

     – UV unwrapping the low-poly model using 3DS Max

     – Baking the Normal map using the high-poly model in Substance Painter

     – Baking ambient occlusion, thickness, material ID, and curvature maps in Substance Painter

     – Texturing in Substance Painter

     – Rendering in iRay within Substance Painter

– Various tools and techniques of model creation and texturing will be explored.  A strong emphasis is placed on using different techniques to approach similar modeling problems as a means to teach students as many different techniques as possible.

– Time-saving techniques will be explored, such as setting up hotkeys, customizing the interface, and utilizing scripts to accomplish complex modeling tasks quickly.

– By the end of this course, students will have a solid understanding of how to create high-quality videogame props and will be able to apply that knowledge to the creation of their own 3D models.

Course Curriculum

Chapter 1: Introduction: Navigation and Hotkeys

Lecture 1: 1.01 Navigation and Hotkeys 1

Lecture 2: 1.02 Navigation and Hotkeys 2

Lecture 3: 1.02.5 Navigation and Hotkeys (Addendum)

Lecture 4: 1.03 Navigation and Hotkeys 3

Lecture 5: 1.04 Navigation and Hotkeys 4

Chapter 2: Setting up Reference Planes

Lecture 1: 2.01 Reference Planes 1

Lecture 2: 2.02 Reference Planes 2

Chapter 3: Creating the Low-Polygon Camera

Lecture 1: 3.01 Low-Poly Camera 1

Lecture 2: 3.02 Low-Poly Camera 2

Lecture 3: 3.03 Low-Poly Camera 3

Lecture 4: 3.04 Low-Poly Camera 4

Lecture 5: 3.05 Low-Poly Camera 5

Lecture 6: 3.06 Low-Poly Camera 6

Lecture 7: 3.07 Low-Poly Camera 7

Lecture 8: 3.08 Low-Poly Camera 8

Lecture 9: 3.09 Low-Poly Camera 9

Lecture 10: 3.10 Low-Poly Camera 10

Lecture 11: 3.11 Low-Poly Camera 11

Lecture 12: 3.12 Low-Poly Camera 12

Lecture 13: 3.13 Low-Poly Camera 13

Lecture 14: 3.14 Low-Poly Camera 14

Lecture 15: 3.15 Low-Poly Camera 15

Lecture 16: 3.16 Low-Poly Camera 16

Lecture 17: 3.17 Low-Poly Camera 17

Lecture 18: 3.18 Low-Poly Camera 18

Chapter 4: Creating the High-Poly Camera

Lecture 1: 4.01 High-Poly Camera

Lecture 2: 4.02 High-Poly Camera

Lecture 3: 4.03 High-Poly Camera

Lecture 4: 4.04 High-Poly Camera

Lecture 5: 4.05 High-Poly Camera

Lecture 6: 4.06 High-Poly Camera

Lecture 7: 4.07 High-Poly Camera

Lecture 8: 4.08 High-Poly Camera

Lecture 9: 4.09 High-Poly Camera

Lecture 10: 4.10 High-Poly Camera

Lecture 11: 4.11 High-Poly Camera

Lecture 12: 4.12 High-Poly Camera

Lecture 13: 4.13 High-Poly Camera

Lecture 14: 4.14 High-Poly Camera

Lecture 15: 4.15 High-Poly Camera

Lecture 16: 4.16 High-Poly Camera

Chapter 5: UV Unwrapping the Camera

Lecture 1: 5.01 UV Unwrapping

Lecture 2: 5.02 UV Unwrapping

Lecture 3: 5.03 UV Unwrapping

Lecture 4: 5.04 UV Unwrapping

Lecture 5: 5.05 UV Unwrapping

Lecture 6: 5.06 UV Unwrapping

Lecture 7: 5.07 UV Unwrapping

Lecture 8: 5.08 UV Unwrapping

Lecture 9: 5.09 UV Unwrapping

Chapter 6: Baking the Texture Maps

Lecture 1: 6.01 Baking Texture Maps

Lecture 2: 6.02 Baking Texture Maps

Lecture 3: 6.03 Baking Texture Maps

Chapter 7: Texturing and Rendering the Camera

Lecture 1: 7.01 Texturing and Rendering

Lecture 2: 7.02 Texturing and Rendering

Lecture 3: 7.03 Texturing and Rendering

Lecture 4: 7.04 Texturing and Rendering

Lecture 5: 7.05 Texturing and Rendering

Lecture 6: 7.06 Texturing and Rendering

Lecture 7: 7.07 Texturing and Rendering

Lecture 8: 7.08 Texturing and Rendering

Lecture 9: 7.09 Texturing and Rendering

Lecture 10: 7.10 Texturing and Rendering

Lecture 11: 7.11 Texturing and Rendering

Lecture 12: 7.12 Texturing and Rendering

Lecture 13: 7.13 Texturing and Rendering

Lecture 14: 7.14 Texturing and Rendering

Lecture 15: 7.14.5 Texturing and Rendering

Lecture 16: 7.15 Texturing and Rendering

Instructors

Jon Holland
3D Instructor

Rating Distribution

1 stars: 0 votes

2 stars: 0 votes

3 stars: 1 votes

4 stars: 16 votes

5 stars: 45 votes

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