Large Game Environment Creation UE5 Tutorial Course_1

Large Game Environment Creation – UE5 Tutorial Course, available at $19.99, has an average rating of 4.54, with 101 lectures, based on 27 reviews, and has 235 subscribers.

You will learn about Learn how to build large environments in Unreal Engine 5 Learn how to model in Maya 2022 Learn how to create procedural materials in Substance Designer Learn everything you need to know to create environments for games Bonus – Lighting your environment with Tilmann Milde (EA Lighting Art Director) This course is ideal for individuals who are This course is perfect for intermediate to advanced artists wanting to push their skills to the next level It is particularly useful for This course is perfect for intermediate to advanced artists wanting to push their skills to the next level.

Enroll now: Large Game Environment Creation – UE5 Tutorial Course

Summary

Title: Large Game Environment Creation – UE5 Tutorial Course

Price: $19.99

Average Rating: 4.54

Number of Lectures: 101

Number of Published Lectures: 100

Number of Curriculum Items: 101

Number of Published Curriculum Objects: 100

Original Price: $69.99

Quality Status: approved

Status: Live

What You Will Learn

Learn how to build large environments in Unreal Engine 5

Learn how to model in Maya 2022

Learn how to create procedural materials in Substance Designer

Learn everything you need to know to create environments for games

Bonus – Lighting your environment with Tilmann Milde (EA Lighting Art Director)

Who Should Attend

This course is perfect for intermediate to advanced artists wanting to push their skills to the next level

Target Audiences

This course is perfect for intermediate to advanced artists wanting to push their skills to the next level

Large Game Environment Creation – In-Depth Tutorial Course

Learn how a professional environment artist works when creating large environments for games. You’ll learn techniques like Modular Modeling, Procedural Texturing, High to low poly modeling, Sculpting, Composition, Level Art, Lighting – and much more!

*Environment based on the concept art from Luis Medina*

MAYA, SUBSTANCE, AND UNREAL ENGINE 5

All the modeling will be done in Maya, However, the techniques used are universal and can be replicated in any other 3d modeling package. Sculpting will be done using Zbrush and the materials will be created using Substance Designer and previewed in marmoset toolbag 4. The environment will be built in the brand-new Unreal Engine 5 and the lighting will use the new Lumen system. Next to this, we will also use Substance Painter to generate masks.

In this course, you will learn everything you need to know to create the final results that you see in the images and trailers. Next to this, the same techniques can be applied to almost any type of environment.

32.5 HOURS!

This course contains over 32.5 hours of content – You can follow along with every single step – The course does enclose a few small-time lapses, this is just to speed up very repetitive tasks, the rest is done in real-time.

We will start by going over our reference and planning and then continue to create a blockout version of our environment. We will be using modular modeling techniques to create all the pieces and later on take them to final.
We will also be using Zbrush to sculpt more detailed pieces like the pillars. We will set up all these pieces in UE5 and already build our environment. Then we will move on to create our procedural materials.
Once those are done, we will do the UV-Unwrapping of our models and apply our materials.
We will then export everything to UE5, set up our materials and shaders, and get started with the composition, lighting, and general improvement of our environment.
We will leave the course off with general polishing and also adding some megascans statues to push the quality even more.

SKILL LEVEL

This game art tutorial is perfect for students who have some familiarity with a 3d Modeling tool like Maya, Substance Designer/Painter, Zbrush, and Unreal Engine – Everything in this tutorial will be explained in detail. However, if you have never touched any modeling or texturing tools before we recommend that you first watch an introduction tutorial of those programs (you can find many of these for free on YouTube or paid on this very website)

TOOLS USED

Maya 2022

Substance 3D Designer and Substance 3D Painter

Zbrush 2021

Unreal Engine 5

Marmoset Toolbag 4

YOUR INSTRUCTOR

Emiel Sleegers is a senior environment artist currently working in the AAA Game Industry. He’s worked on games like The Division 2 + DLC at Ubisoft, Forza Horizon 3 at Playground Games, and as a Freelancer on multiple projects as an Environment Artist and Material Artist.

CHAPTER SORTING

There’s a total of 89 videos split into easy-to-digest chapters.
All the videos will have logical naming and are numbered to make it easy to find exactly the ones you want to follow.

SOURCE FILES

Please note that this project does not come with any source files or extra content due to platform limitations. If you want all source files & extra content like un-timelapsed footage please look us up on ArtStation, Gumroad or FlippedNormals

Course Curriculum

Chapter 1: Full Course

Lecture 1: Going Over Our Reference And Planning Part1

Lecture 2: Going Over Our Reference And Planning Part2

Lecture 3: Creating Our Blockout Pieces Part1

Lecture 4: Creating Our Blockout Pieces Part2

Lecture 5: Creating Our Blockout Pieces Part3

Lecture 6: Creating Our Blockout Pieces Part4

Lecture 7: Setting Up Unreal Engine 5 And Importing Our Blockout Pieces

Lecture 8: Testing Out Our Blockout Pieces

Lecture 9: Doing Our Structural Level Art Part1

Lecture 10: Doing Our Structural Level Art Part2

Lecture 11: Doing Our Structural Level Art Part3 – Timelapse

Lecture 12: Doing Our Structural Level Art Part4 – Timelapse

Lecture 13: Doing Our Structural Level Art Part5 – Timelapse

Lecture 14: Doing Our Structural Level Art Part6 – Timelapse

Lecture 15: Doing Our Structural Level Art Part7 – Timelapse

Lecture 16: Creating Our Unique Blockout Pieces Part1

Lecture 17: Creating Our Unique Blockout Pieces Part2

Lecture 18: Turning Our Plinth To Final Part1

Lecture 19: Turning Our Plinth To Final Part2

Lecture 20: Turning Our Plinth To Final Part3

Lecture 21: Turning Our Plinth To Final Part4

Lecture 22: Creating Our Pillar Part1

Lecture 23: Creating Our Pillar Part2

Lecture 24: Creating Our Pillar Part3

Lecture 25: Creating Our Pillar Part4

Lecture 26: Creating Our Pillar Part5

Lecture 27: Creating Our Pillar Part6

Lecture 28: Creating Our Pillar Part7

Lecture 29: Creating Our Pillar Part8 – Timelapse

Lecture 30: Creating Our Pillar Part9

Lecture 31: Creating Our Pillar Part10

Lecture 32: Creating Our Pillar Part11

Lecture 33: Turning Our Trim Blockout Into Final

Lecture 34: Creating Our Stair Railings Part1

Lecture 35: Creating Our Stair Railings Part2

Lecture 36: Creating Our Stair Railings Part3

Lecture 37: Creating Our Corner Arch Part1

Lecture 38: Creating Our Corner Arch Part2

Lecture 39: Creating Our Other Arches

Lecture 40: Creating Our Small Windows

Lecture 41: Creating Our Door And Flat Pillar Part1

Lecture 42: Creating Our Flat Pillar Part2

Lecture 43: Creating Our Round Roof Part1

Lecture 44: Creating Our Round Roof Part2

Lecture 45: Creating Our Round Roof Part3

Lecture 46: Creating Our Triangle Roof

Lecture 47: Creating Our Addon Pieces – Narrated Timelapse

Lecture 48: Polishing Our Asset Placement

Lecture 49: Polishing Our Final Assets Part1

Lecture 50: Polishing Our Final Assets Part2

Lecture 51: Going Over Our Texture Reference And Planning

Lecture 52: Creating Our Sand Material Part1

Lecture 53: Creating Our Sand Material Part2

Lecture 54: Creating Our Wall Material Part1

Lecture 55: Creating Our Wall Material Part2

Lecture 56: Creating Our Wall Material Part3

Lecture 57: Creating Our Wall Material Part4

Lecture 58: Creating Our Wall Material Part5

Lecture 59: Creating Our Wall Material Part6

Lecture 60: Creating Our Wall Material Part7

Lecture 61: Uv Unwrapping Our Models Part1

Lecture 62: Uv Unwrapping Our Models Part2 – Timelapse

Lecture 63: Setting Up Our First Final Object Part1

Lecture 64: Setting Up Our First Final Object Part2

Lecture 65: Setting Up Our First Final Object Part3

Lecture 66: Setting Up Our First Final Object Part4

Lecture 67: Creating Masks For Our Objects Part1 -Timelapse

Lecture 68: Creating Masks For Our Objects Part2 – Timelapse

Lecture 69: Creating Our Tri-Planar Material

Lecture 70: Setting Up Parralax On Our Master Material

Lecture 71: Setting Up Our Vertex Painting

Lecture 72: Adding Vertex Colors To Our Objects

Lecture 73: Creating Our Metal Texture And Adding It To Our Roof

Lecture 74: Doing Our First Lighting Pass Part1

Lecture 75: Doing Our First Lighting Pass Part2

Lecture 76: Adding Large Scale Variations Part1

Lecture 77: Adding Large Scale Variations Part2

Lecture 78: Adding Large Scale Variations Part3

Lecture 79: Doing Our Second Lighting Pass

Lecture 80: Creating Our Corner Damage

Lecture 81: Adding Normal Map Details

Lecture 82: Adding Megascan Statues

Lecture 83: Setting Up Our Terrain Material And Sculpting

Lecture 84: Terrain Sculpting -Timelapse

Lecture 85: Polishing Our Terrain Part1

Lecture 86: Polishing Our Terrain Part2

Lecture 87: Polishing Our Scene Part1

Lecture 88: Polishing Our Scene Part2 -Timelapse

Lecture 89: Outro

Chapter 2: Un-Time lapsed Footage

Lecture 1: 11-Doing Our Structural Level Art Part3

Lecture 2: 12-Doing Our Structural Level Art Part4

Lecture 3: 13-Doing Our Structural Level Art Part5

Lecture 4: 14-Doing Our Structural Level Art Part6

Lecture 5: 15-Doing Our Structural Level Art Part7

Lecture 6: 29-Creating Our Pillar Part8

Lecture 7: 62-Uv Unwrapping Our Models Part2

Lecture 8: 67-Creating Masks For Our Objects Part1

Lecture 9: 68-Creating Masks For Our Objects Part2

Instructors

FastTrack Tutorials
Game Art Courses by Industry Professionals

Rating Distribution

1 stars: 0 votes

2 stars: 2 votes

3 stars: 1 votes

4 stars: 6 votes

5 stars: 18 votes

Frequently Asked Questions

How long do I have access to the course materials?

You can view and review the lecture materials indefinitely, like an on-demand channel.

Can I take my courses with me wherever I go?

Definitely! If you have an internet connection, courses on Udemy are available on any device at any time. If you don’t have an internet connection, some instructors also let their students download course lectures. That’s up to the instructor though, so make sure you get on their good side!